This is my street.
Children and elders stroll past with alarming frequency. Visiting parked vehicles over-occupy the local dearth of curbs. Test-riding bicyclists from the local shop take this street invariably; the chck-chcks of derailleurs changing gears ubiquitous as a cuckoo clock.
Time passes slowly here. I haven’t seen anyone enter the convenience store in months, yet they seem to pay the rent.
When we landed here, we were told Sellwood was one of the safest neighborhoods in Portland. In a span of five months last year, I had a truck stolen and the window of the vehicle I bought to replace it shattered—during the peak of the rain! Auto theft and burglary are relatively common: our neighbors moved into a house, and that night, the daughter woke up to someone climbing through her bedroom window.
Socks, board games, toys,, tea, coffee, spices, shoes, antiques—for which Sellwood/Moreland has long been known—all get their own stores. On wheels, Sellwood would be a quaint caravansary. The local bank is a five-minute walk from my house; for the first time in my life, the keepers of my money know my name. I hail from the out-of-town, from the commuter clan, the familiar but foreign zip code.
Living in the center of things offers me unlimited access to distraction.
This building is a mystery. No advertisements, no signs, no clues to its business but a handful of old microphones sitting in a glass case inside the door. The owner of Jade Bistro, across the street, said that the actor Sam Elliot lunched there one day, and when he left, he walked into the mysterious orange building.
At least five Southeast Asian cuisine spots live within three blocks of one another. Another could have emerged in the last hour. Coffee shops and roasters, art supplies, a poorly-designed food cart pod, and one of Portland’s famous rubberstamp libraries occupy space within pajama distance of my bedroom. An apothecary peddles tinctures and crystals; the mortuary is the largest single building for what seems like miles; in fact, its west-facing wall, formerly a concrete pad facing Oaks Bottom Wildlife Refuge, was muraled to mirror the birds and mammals once hoped to occupy the man-made wetland.
The Refuge, which lays low between a high bluff of neighborhood and railroad tracks, plays a significant factor in my wanting to live in this area. Apparently, the view is important to others who also live here, and possess chainsaws.
At night, despite the static din of the almost-visible interstate across the Willamette, I walk the trails through the trees ’til I can almost pretend I’m not in the city anymore; threats of cars speeding down 17th abate, the operating room glare of the new LED street lights fades into the traditional spectrum of urban light pollution; frogs croak at such a volume that I can’t hear my voice, and all goes relatively silent in my city brain.
Oaks Bottom Refuge lends its name to a small amusement park across the railroad tracks. Bright white, the mathematically designed, cage-like beams of a roller coaster face eastward, toward the wild zone. In effect, the creatures that live in and visit the refuge operate in a hall of mirrors, an unfenced zoo, observed by humans in the wild.
Oaks Bottom Wildlife Refuge is an experiment growing from the dumping grounds of the displaced dirt when the interstate was built, a noble attempt to re-invent a wilderness where one had been destroyed. As Oaks succeeds or fails-however that line is drawn-humans learn that it’s okay to destroy wilderness, because we can just build it back.
Today I found at least three things that were new to me along corridors I’ve walked, ridden, and driven hundreds of times. Not to mention, the cherry trees are popping!
What’s under your nose, in your backyard, down your street?